who is jean lee Patindol ?

Who is Jean lee Patindol?

Patindol is a single mother of three, who works as an assistant professor at the University of St. La Salle in Bacolod, teaching Economics, Communications and Culture courses. She started writing at an early age but only started taking courses on writing creative fiction and poetry at the age of 32. She was granted several fellowship grants to different writing workshops. Her first children's story Amah's Rebellion which resulted from her first workshop was accepted for publication by Whispers from Heaven, a publishing company based in Illinois, U.S.A.

She won the Philippine Board on Books for Young People Salanga Writers' Prize in 2004 for her book entitled Papa's House, Mama's House and received the same award in 2007 for her book Tight Times.

In 2007, she signed her first international book contract with Living Waters Publishing Company for another one of her masterpieces entitled, My One-Boobed Mamma. She also does volunteer work for Pax Christi Pilipinas and for PECOJON – The Peace and Conflict Journalism Network and at theNegros Museum as a storyteller.

One of her famous works is the story intitled

“Papa's House, Mama's House”

     In Papa’s House, Mama’s House three siblings divide their time between the homes of their mother and father. Some things are the same in both households (they eat some of the same foods, play the same games), but others are not. Whereas “in our home with Papa we have many rules. I don’t remember all of them.” in Mama’s house “We only have two rules: “ ‘Be honest’ and ‘Clean up your own mess’.”

             Papa’s House, Mama’s House approaches the topic of divorce, a situation experienced by more and more kids throughout the world, from the point of view of one of the children in the family. From a positive angle not always present in chidren’s books (which tend to portray divorce as a family “problem”), the young narrator reveals that, despite the changes in his routine, his parents’ love for him is still the same. Indeed, Mark Salvatus’ multi-media illustrations, while detracting from the story at times with their bright red double-page spreads, provide an overall tone of happiness to the narrative. That doesn’t mean, however, that there aren’t mixed feelings to be dealt with: “Sometimes it makes me tired going back and forth… Sometimes it makes me sad, too.”

             An author’s note at the end of the book explains the story was motivated by the author’s  own divorce and desire to explain to her son that their new situation needn’t change his idea of what it means to be a family. “It’s interesting how the way we define our concepts in our minds affects the degree to which we gracefully accept or struggle with the realities in our lives,” she offers.

            The author also says in her note: “In an increasingly complicated world… I strongly believe in bringing up children with a respect and appreciation for diversity and practical examples of struggling to learn how to live as peaceablyand harmoniously as one can, amidst differences”. And, true to her intentions, she ends the story with the celebration of the young narrator’s birthday party, where Mama and Papa stand side by side, after working as a team, “peaceably and harmoniously,” to put the party together.

            This is a lovely and honest book to help children understand that there are many ways to be - and remain - a family.

 

ILLUSTRATION: 

            When words can't describe how one feels, pictures can. This is how Sergio Bumatayperceived, reviewed and interpreted Papa's House, Mama's House: 

The illustrations have bold strokes of provocative colors with small sketchy figures. The heavy painterly style and scratch techniques work both ways: it may either suggest the deep unsettling feelings of the character perfectly expressed through colors and strokes, or the style symbolizes the love of parents for the character which doesn't diminish despite their situation. While looking at the illustrations, you can actually feel those emotions as you read. The small figures may connote that we play deaf in children's honest and pure voices about issues and they should also matter in adult decisions, no matter how young they are. How often do we disregard or underestimate a child's understanding?